By Christine Anton, Frank Pilipp
The articles assembled during this e-book speak about very important questions on German society and the very idea of what being German capability within the age of globalization and the vanishing of geographical regions in a continually strengthening eu Union; the query approximately what's German tradition in a postmodern period; and the way the prior impacts and shapes the current and way forward for hybrid German generations. bearing in mind not just nationwide but in addition transnational and up to date worldwide advancements and concomitant serious debates, this ebook keeps to have interaction within the discourses of rethinking German nationwide identification, exploring socio-cultural, literary and cinematic responses by way of German, German Jewish, and different minority authors and filmmakers. those essays concentration rather on developments because the flip of the millennium, and discover how those traits and their new advancements are represented and interpreted in the course of the eyes of other media. past Political Correctness: Remapping German Sensibilities within the twenty first Century will entice readers with a wide selection of educational pursuits, together with cultural background, movie reports and modern German literature, German-Jewish and Minority literature.
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Additional info for Beyond Political Correctness (German Monitor)
120. G. J. G. Sebald. A Critical Companion, Edinburgh: Edinburgh University Press, 2004, pp. 175-89. 19 See Annette Seidel Arpacı, ‘Lost in Translations? The Discourse of “German Suffering” and W. G. , A History, Trauma and Mourning in Sebald and Friedrich 45 Nation of Victims? Representations of German Wartime Suffering from 1945 to the Present, Amsterdam: Rodopi, 2007, pp. 161-80. 20 See Vees-Gulani, Trauma and Guilt, pp. 11-37. 21 Cathy Caruth, Unclaimed Experience. Trauma, Narrative, and History, Baltimore and London: Johns Hopkins University Press, 1996, p.
236 and 278 (see BS 119 and 124). Interestingly, none of Brunswig’s photos are re-used in Christian Hanke and Joachim Paschen’s 1993 volume Hamburg im Bombenkrieg 1940-1945, Hamburg: Medien-Verlag, 1993, a book of photographs which contains only one single picture of a mass grave on page 118. 55 Gerhard E. , Dortmund. Bombenkrieg und Nachkriegsalltag 19391948, Hagen: Lesezeichen Verlag, 1996, pp. 177; 179; 183; 197. Friedrich uses the picture on page 179 (see BS 133). The picture, which in conjunction with three other photographs takes up less than 25% of a book page in Sollbach, is reproduced on one entire page in Friedrich’s book.
60 Though this equation of victim and listener has been rightfully criticized, 61 it is exactly this bizarre and, as Sebald remarks, voyeuristic sense of participation, something that Dominick LaCapra has termed a participation in the ‘negative sublime’ and ‘entry into the extraordinary,’ that animates Friedrich’s visual and narrative representation of excess. 62 Friedrich’s account is in stark contrast to Sebald’s emphasis on sobriety, distance and secondary witnessing. Thus, in contrast to Sebald, who through his style keeps a kind of shocked distance, Friedrich tries to directly render the horrors through narrative immediacy.
Beyond Political Correctness (German Monitor) by Christine Anton, Frank Pilipp