By Marta Jecu
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In 2006, for the ‘Miami Art Fair’ I built a column, then I cut it, and I exhibited the rests that were left of it, naming it ‘Pillar’. Also I made a corner, by rebuilding a corner of the stand in the same fair, and superimposed it on the existing corner. Q: Why did you wish to concretely build the pillar, when you could have initially sculpted only a fragment/a rests of a column and still called it a pillar, since the concept would still work? : This process of building is important for me personally at the moment.
Yuki, on the contrary, keeps the work open and it can be filled with meaning. The process is similar with his working method: the show constructs itself. And Yuki discovers space by creating it, while the audience becomes integrated in the work. But he is also playing with beautiful shapes and plastic constructions, with sculptural and architectural allusions, which are visually attractive and full of references. It is another game of his. : ‘Performatives Spazieren’11, 2008, was the title of the show that extended ‘Moment’ from the gallery into the open space of Kreuzberg.
Still he has to stay always hidden, even though he appears in the foreground. This is the best position that I could take for my work. If I mingle too much with my work, then I will make a work about myself. But what I intend is keeping the work as work always in the foreground. My work exists only with the presence of the audience, without them my work would not be possible. I wish that the audience acts inside my work, without me commanding their role in this process, whereas both of us (me and the audience) could be actors on one and the same level.
Architecture and the Virtual by Marta Jecu